This is a study of a task that is common to these man: wrangling massive ropes in the service of moving huge slabs of marble.
John Singer Sargent and Carrara marble

This is a study of a task that is common to these man: wrangling massive ropes in the service of moving huge slabs of marble.
He was ambidextrous & worked with brushes in either hand. The freshness of his work proved his restraint.
When the brushes used for calligraphy were completely worn out, artists wrapped them in silk and buried them in a beautiful place.
American watercolorist, John Singer Sargent frequently painted en plein air from a gondola in the water rising and falling in the canals of Venice.
It you feel the ice cold snow in your boots, you know you are in the right place. This is the mindset of a “plein air” painter.
I dream of watercolor paint swirling together while, as the observer, I watch and contemplate what color is being created.
An experiment in coaxing wild birds to see my point of view. Was it successful?
Cursive text from a journal my grandfather carried through Europe in 1900…the same paintings, sculpture and churches I visited more than 100 years later. Seeing the text in his own hand is powerful. Can I absorb more of my grandfather’s personality by the energy and grace he conveys through his cursive?
Blackberry Jam: Understanding the Cosmos A number of years ago I was working on a very detailed series of large watercolor paintings – (32 x 22” and larger) when a disaster threatened to destroy a very important painting. This painting, that I had been working on for about 40 hours, was due at a juried […]
Constraints as a Channel to Creativity Most artists will admit, there is something creatively exhilarating about constraints put on the creation of your work. Some art exhibits require work done in a certain medium–like the Transparent Watercolor Society’s requirement that the art actually be completed in transparent watercolor– not opaque. Or the challenge of a […]